Twelve pedals, every knob at noon. Sounds like a record.

Counterintuitive board: nothing maxed, nothing off. Each pedal contributes exactly one knob's worth of personality. The Klon at noon does almost nothing audibly, but bypass it and the whole board flattens. Same with the CE-2W. They're the connective tissue that makes the load-bearing pedals (Muff, RAT, DD-8) actually sit in a mix.