Free, with nothing behind it
No payment step, no card, no trial, and no locked second half. Nothing on this site takes money, so there is no version of these tools you are being shown the outline of.
Every tool GuitarHub publishes, in one place: what each one is for, who it helps, and which part of the practice loop it belongs to. None of them ask for an account, and nothing you type into them leaves your browser.
The common thread
These are not a funnel with the good part behind a form. They are small, finished tools, and the conditions below are the same for all of them.
No payment step, no card, no trial, and no locked second half. Nothing on this site takes money, so there is no version of these tools you are being shown the outline of.
No sign-up, no login, no password, no email address. Not a guest mode either — there is no account system here to be a guest of.
Every plan, diagnosis, ladder, score, and summary is computed by code already running on the page. Your answers are not sent somewhere to be processed and handed back.
Each tool keeps its state in your browser's local storage and nowhere else. Close the tab and the work is still there. Clear your browser data and it is gone, including for us, who never had it.
The last one is a claim you can check rather than trust. There is no analytics script and no third-party tracker on this site, which the page source will tell you faster than we can. Nothing here records audio, accepts an upload, or listens to you play. When a tool tells you to record a baseline, it means on your phone, kept by you.
Each one does a different job inside the same loop, which is why there is no single “start here” button. Open the one that matches the sentence you would use to describe the problem.
Choose one finish line and turn it into a four-week practice sequence you can run this month.
Answer a short set of questions and name the part of your practice that stopped producing change.
Turn the minutes you actually have into timed blocks, weighted toward the one thing you are fixing.
Turn one difficult passage into a tempo ladder with a starting speed, a target, and steps between them.
Check a song against the parts that break under pressure before you call it finished.
Log one line per session and read what actually moved, with no streak counter and no direction under three sessions.
Find your sentence on the left. The stage on the right is where that tool sits in the four-stage loop the whole site runs on: baseline, isolate, reconnect, prove.
“I practice most days and cannot say what stopped producing change.”
Before the baseline. It ends with a named blocker.
“I know what I want to fix and the month keeps dissolving.”
The whole loop, laid out one stage per week.
“I know what to work on and need it to fit the time I have today.”
Prescribe and practise. It turns the target into blocks you can run now.
“One passage holds together up to a speed and then does not.”
Isolate. The stage where the fragment gets repaired.
“I think this song is finished and I am not sure I believe it.”
Reconnect and prove. What survives outside practice.
“I finished the session and need to know whether the work is moving.”
Prove and correct. It carries the evidence into the next diagnosis.
The limits are the other half of the privacy claim. Nothing above is free because something else is being taken instead — it is free because these tools are small and do less than a product would.
Every tool here is an argument about practice with a form attached. The guides are the argument written out, including the parts a form cannot make.
The loop the whole site runs on: diagnose, prescribe, practice, prove, correct, repeat.
What to do with a practice hour so it changes your playing instead of filling the time.
Why progress stalls once the beginner gains run out, and what to change when it does.
What deliberate practice means at the instrument, and how it differs from playing something again.
How to run a 30-day challenge that ends with a recording you can compare, not a streak you kept.
A weekly routine for players past the beginner stage who still cannot finish a song cleanly.
Why duration is the wrong variable, and what a 10, 25 or 60 minute session should contain.
Building practice around a weekly total and one protected session, instead of a daily streak.
The real causes of a speed ceiling, and why slow practice only helps when the slow motion matches.
Why rereading tab does not build memory, and how to know the form rather than the finger path.
Testing against the click instead of playing along with it, and what that exposes about your time.
The tools decide what to practice. For the material that does it — the metronome work, the chord shapes, the coach — GuitarHub links out to Strumly rather than building a second, worse copy:
A form can hand you the next tempo and the next week. It cannot listen to your recording and tell you which of the four things going wrong is causing the other three. The founding room is being assembled for that part: a small crew, a weekly recording, and one correction that changes the next session.
Applying is an application, and it is reviewed. It takes no payment, asks for no card, and creates no commitment on either side.